Kenneth Davis
“I am not attempting to carry the load for all Negro singers,” McFerrin had
told the New York Post prior to his debut, but in reality the load he had to
carry transcended vocal concerns. One major reason for his truncated career
was management’s fear of the reaction of audiences to seeing black males on
stage as husbands or lovers of white females.
THOUGHT FOR CONSIDERATION
Born on March 19, 1921 in Marianna, Arkansas , Robert McFerrin was the
fourth of eight children of Melvin McFerrin and Mary McKinney McFerrin.
The family moved to Memphis, Tennessee , when McFerrin was two years old.
McFerrin first sang as a boy soprano in a church gospel choir. During his early
teens McFerrin and two of his siblings travelled with their itinerant preacher
father, singing hymns, spirituals, and gospel songs at churches in the area.
Wishing for him to get a better education, in 1936 McFerrin’s parents sent him
to live with his uncle and aunt in St. Louis, Missouri. It was when he was a
student at Sumner High School in St. Louis during an audition for the school
choir that McFerrin so impressed the choir director he was given private
classical vocal training.
McFerrin attended Fisk University for a year, and in 1941 got a scholarship
to Chicago Musical College, where he started winning vocal competitions.
After serving in the military for World War II from 1943 to 1945, McFerrin
returned to Chicago Musical College and obtained his undergraduate degree.
In 1953, urged on by his manager, he entered the Metropolitan Opera’s
“Auditions of the Air,” which he won. Usually, the winner received a contract
and six months of training. In McFerrin’s case, he received no contract, and
his training lasted for thirteen months. The second African American and first
black male to sing at the Metropolitan Opera , McFerrin debuted on January
27, 1955, when he was cast as Amonasro in Aida.
Racial politics rather than sound musical values dictated his being cast as
Amonasro. The black Ethiopian king (and father of Aida) has no love duets to
sing with white women. At five foot seven inches tall and 140 pounds, the
young McFerrin was hardly prepossessing on stage as an evil father-figure. His
even but not large voice was not displayed to its best advantage. McFerrin
eventually sang only ten performances at the Metropolitan Opera. He did,
however, record excerpts from Rigoletto in 1956 for the Metropolitan Opera
Club. In addition, there exists a 1956 recording taken from a live broadcast of
Aida from Naples, Italy. In 1958, he went to Hollywood to supply the vocals for
Sidney Poitier’s Porgy in the motion picture version of George Gershwin’s
Porgy and Bess. McFerrin and his wife decided to stay in California, where
they became music teachers. In 1973, following their divorce, McFerrin moved
back to St. Louis, where he lived until his death. In 1989, he suffered a stroke
that affected his speaking but not his singing. He occasionally performed with
his son, Bobby , and his daughter, Brenda.
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