Kenneth Davis

T H O U G H T F O R C O N S I D E R A T I O N
TODAY'S WORDS - PAY ATTENTION
My mom was born in Korea - Seoul, Korea, during the '50s, '51. She was abandoned; her and my uncle were abandoned. My grandfather was a Seabee and adopted my mom and my uncle and brought them to Compton in the '50s. That's where she was raised. I grew up in Oxnard, CA, and I went to a church called St. Paul, where I was playing drums. My mom had a strawberry company. The whole town of Oxnard is basically built on produce, and more particularly, strawberries. We used to take these long trips to talk to farmers and different distributors. She'd take us with her after picking us up from school, and she'd be blasting all this old soul music and R&B. I knew all those O'Jays songs before I knew Snoop or Dre or Tupac.
Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work. I didn't start playing drums until I was 12, for school band; they didn't have any saxophones left. My step-pops had a kit at the house, and I had never done anything that I understood so quick. It was so natural. It was the most fun and consistent thing in my life. My story as an artist has been about trial and error. It's been about artist development, character building, struggle, happiness and failure, family, and music.
My story as an artist has been about trial and error. It's been about artist development, character building, struggle, happiness and failure, family, and music. Growing up in a house where there was a lot of different musical influences - my mom listens to soul stuff and Top 40, my sisters would listen to hip-hop - and the church, I grew up listening to a lot of gospel stuff. So, I think that plays a role in how I make music now because my music has a lot of range. I don't just do one thing. If you grow up playing in church, it removes a lot of the boundaries that other musicians might have, growing up with sheet music or whatever.
I just want people to be affected by the music. I'm really affected by my surroundings and put everything in my music - what I'm not getting and what I desire. I want it to be uncompromised... almost a spiritual thing. The dot stands for 'detail' - always be paying attention to detail. I feel that people take you as serious as you take yourself. I spent a lot of time working on my craft, developing my style, and after I came out of my little incubation, I promised that I would pay attention to detail.

I put a list together. It was like: Get health insurance, get a car, get a bigger apartment, travel more, get a record deal, get a publishing deal, sell 10,000 units, be a part of a No. 1 album, make a million dollars. I got to check off 90 percent of the stuff last year. I hit some serious landmarks in 2015.
Anderson .Paak
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